beads – Sherry Glaab

3D trees – final step

Today I was able to complete what I think is the last step in the 3D tree experiment. For the standalone tree, that was to add and decorate a base. For the two rectangular trees, it was to decorate the unfinished half. I also was able to pop the memory beads and kitty shaped mementos I made with our cat Neo’s ashes out of their molds.

The rectangular trees had quite a bit of drips on the unfinished edge, despite my efforts to prevent them. I was able to remove them with a razor blade.

Once I cleaned up the edges a bit, I laid them out on the work surface, ready to coat with a thin covering of resin.

Once the resin was in place, I sprinkled the glass chips / chunks onto it.

Next I turned my attention to the standalone tree, which needed a base of resin poured and decorated.

Resin poured and glass chunk “snow” in place inside the mold

Tomorrow we’ll see how they look! I think if I do more of these I will use colored glass for the backer that matches the tree glass instead of the clear, at least behind the tree itself. It’s hard to cover all of the possible gaps between the branches otherwise. So far I like the look of the standalone tree best, but it also has sharper edges.

Crossing fingers – 3D pour

I spent the past few days mulling over how best to pour the resin on these projects, and came to the conclusion that it would have to be in stages. Today is the first stage, which is an experiment. My plan is to coat the trees with a thin coat of resin and possibly decorate one side of each of the rectangular trees. The second stage will be (for the rectangular trees) to pour another coat on just the undecorated side and decorate. The second stage for the stand alone tree will be to pour and decorate the base that will serve as the candle stand as well as provide stability.

Projects are laid out on a silicone baking mat.

It’s cold out today and my work area is only 60 degrees F. My resin likes it to be a minimum of 70 degrees, so I used my heat gun to warm each part of the 2 part resin prior to mixing it.

I ended up elevating this one higher off the mat on top of a couple of silicone measuring containers to help me manage the drips on the edges.

After the initial coat of resin, I repositioned these two in order to decorate one side.

I continued trying to touch up bare spots and wipe off drips with my sponge on a stick. I repositioned these two and sprinkled the glass chips / chunks I am using to decorate the background and base of the tree. Above you can see the glass chips in place on the left hand piece.

Finished with one side for each rectangular tree.

I had enough resin left over to make some memory beads for our beloved cat, Neo, who passed away in November. I’m also trying some cat shaped mementos with his ashes.

In addition to scraping the drips, I periodically blew all of the above pieces with my heat gun to remove bubbles and also to warm the resin, as my working area is only 60 degrees F today!

Trying new pigments

Since my coaster molds are a bit out of shape, I thought I would experiment with a couple of new colors of pigment I haven’t tried before while I wait for the new molds. I also wanted to make some other accent beads, so I thought this would be a good chance to try the colors in those molds as well.

I used the purple pigment last week, and I wanted to make some additional beads using it. However, I hadn’t tried the Bronze or Gold pigments yet. The gold pigment is extremely light and flew all over the place when I was trying to mix it with the resin. I piped the colored resin into the bead molds right away. I wanted to do this quickly, since it is difficult to get the resin into them when it starts to thicken. I made several with the gold and purple and one with the bronze pigment.

After pouring a thin layer of Envirotex Lite resin into eight of the coaster molds and removing bubbles with a heat gun, I added the pigmented resin on top. I then swirled them around a bit with my craft sticks. I also waited about 20 minutes before adding shells to two of the molds.

I also have some new material to try using as the water element in the beachy coasters. It was very expensive, so I will likely limit using it to particularly special projects after today.

I waited until the resin was starting to thicken before adding the shells, and waited even longer (maybe 20 minutes) before adding the sand and the glass chips to the resin in the mold.

I decided there wasn’t enough of the gold pigment in the gold coaster molds, so I mixed up another medicine cup full using some that was left over from the initial batch of resin and added it to the molds. If all goes well overnight, I will add another clear layer of resin to the coasters tomorrow and demold the beads to see how they turned out. I am a bit leery of pouring another layer of resin today after the experience the other day with the resin turning yellow during curing. The manufacturer got back to me and recommended I use a different product, EasyCast, for molds / thicker applications. I can continue to use this type in 1/8″ layers, though. I can’t wait to see how they turn out!

A few things completed

Here is some of the fruit of the labor of prior days. The sun mosaic is complete, and I have 8 coasters and some beads ready, as well.

I had a new request for some memory beads, but I’m not yet sure what type she will want. Since I had some resin handy, I just made a selection of beads. They turned out pretty well!

Rondelle (6 mm hole), rondelle (5 mm hole), ball beads.

The coasters I made with the quick layering technique turned out OK. I think next time I will swirl the water pigmented layers a bit. I was hesitant to do that because the layer underneath wasn’t cured, but I think the pigments need to be moved around a bit more. I also think the look of the bubbles at the edge of the water are improved with this technique.

Multitasking

Today was a very busy, but productive, day. I finished the sun panel by pouring the resin over it, set a few memory beads in their molds, and made 8 coasters using the layer method where you don’t cure the resin overnight between layers. At times I felt like the proverbial one-armed paper hanger! It was a challenge doing all this in one day, but hopefully it was a success. I will find out tomorrow when I can take the beads and coasters out of their molds. Here is the basic rundown of the methodology and things to note.

Pouring the resin on the sun mosaic was pretty straightforward, since everything was pretty much secured in place one way or another. I mixed up 16 ounces of resin and used almost all of it to cover the glass. After pouring, I immediately used my heat gun to help distribute the resin evenly across the window as well as to remove bubbles that form as the resin settles under the individual pieces of glass.

I thought about adding some glass chips to the resin, like I had planned to do, but I just wasn’t sure how that would look in the end, so I decided to save that to try on a smaller project that won’t be such a big deal if I don’t like the way it ends up looking. I normally use the glass chips in a clear background, but this whole window has glass in it, so I chickened out.

The difficult part comes after the resin is poured and bubbles start to emerge. For the next 45 minutes to an hour, I had to repeatedly use the heat gun to remove bubbles as they emerged in the resin.

While I monitored the bubbles on the sun mosaic, I used a bit of the resin to make a few memory beads. The beads take very little resin, and I had enough left to make about four of them.

Since the bubbles in the mosaic weren’t slowing down, I decided to make another batch of resin and try to do the coasters in layers without curing in between. I read that this results in a stronger end product, though I haven’t had any “strength” issues with my previous creations.

I poured about an ounce of resin in each mold, waited about half an hour, then started placing the shells, shark teeth, etc in the resin. I then waited about 2 hours before the next step.

Added the sand for the beach and the white bubbles.

First I added the sand for the beach, which I made smaller than usual in this batch. I mixed up just about 3 CCs of resin and added the white pigment, then drizzled it in a line along the edge of the “beach” using a small craft stick. I went back and added a bit more after it dissipated a little. I also had enough white resin left over to make a couple of experimental beads. The white resin still spread out a bit more than I anticipated. I just drizzled a thin line and by the time I took photos, it had spread into the sand.

I wanted to let this layer cure enough that it would be more gel-like than liquid, as I believe that causes the white pigment to spread out more than I want it to (I really want it to be a thin layer at the edge of the sand and water to look like bubbles when the waves are crashing at the beach). Since it was just a small amount of resin, that didn’t take very long, and I started mixing up the various colors of pigment for the water.

I mixed up 80 ccs of resin using a small silicone measuring cup, then split it evenly between the four medicine cups. I then scooped a bit of pigment powder into each cup and mixed it together. After all the colors were ready, I drizzled some of the Caribbean Blue (far right in the above photo) in a few lines into the mold. It will be interesting to see if making lines with the pigmented resin results in a different look for the water in the coasters.

After that, I repeated the steps for each of the other three colors. I tried to fill in empty areas with each color. I didn’t add any of the water-pigmented resin to the sand, but I knew it would drift over it a bit after the last step.

I used up every last usable drop of the pigmented resin I mixed for the water. I really wanted to fill in all the gaps.

The final step was to add the last layer of clear resin, so I mixed up my last batch of the day, 14 ounces of resin. The reason I go back and forth between ccs and ounces is because my measuring cups have different measurements which I use for different purposes, just for convenience and ease of reading. For some reason, these really had a lot of late-emerging bubbles – much more persistent than I usually see with coasters. That could be a side effect of not letting the layers cure fully between pours. Having to use the heat gun so much moved the pigment / water around quite a bit (at least on the bottom of the coasters). I might need to get a blow torch, as I think they might be more precise in removing bubbles without moving the resin around so much. I’m a bit impatient to see how these turn out, but I have no other choice but to wait until they fully cure to find out how they look. Unlike the sun mosaic, which I can look at while it cures. The only problem with that is keeping curious fingers out of the resin while it is still soft (yes, my children have been known to poke at things during this stage). Hopefully tomorrow I can bring it upstairs to photograph.

Just a side note – I’m normally a day behind posting these, but I try to write the post the same day as I do the project so all the details are fresh in my memory. That means when I reference “today”, it’s not usually the same day as the post went live. I’ll actually be pulling these out of their molds on the 30th, but I will also schedule this to post on the 30th at a somewhat random time.